CHLOE PIENE
WORK BIO CONTACT

BIBLIOGRAPHY

My Body is Your Body, Paulina Olszewska, Sammlung Braunsfelder, Köln, 2023
Un Certain Regard sur le Dessin Contemporain, Marie Maertens, Fondation Guerlain et Centre Pompidou, Paris, 2023
Collection Art Graphique 1904 - 2008, Agnes de la Beaumelle, Editor, First Edition, Editions Centre Pompidou, Paris, 2009
Bayerische Staatoper Juditha Triumphans, Antonio Vivaldi, Programm, Bayerischer Staatoper, München, 2022
A-Z, The Marie Luise Hessel Collection, Marie Luise Hessel Center of Contemporary Art, Bard College, New York, 2022
Something Else: Die Fremdheit Der Kinder, Essays by Christine Litz and Leonhard Emmerling, Museum fuer Neue Kunst, Strzeleckibooks, Freiburg, 2022
On Figures: Drawing After Bellmer, Edited by Kate McFarlane, Michael Newman, Sharon Kivland and Louis Mason, Ma Bibliotheque, London, 2021
Deutsche Welle, Televised Interview “Influence on America: Art and Culture: What with the New Biden Administration Bring?“ January 21, 2021, 18:00
Galerie Barbara Thumm, “New Viewings,“ 2021
Crossing Borders: Collection for the Future, Staatliche Sammlung Dresden, Stephanie Buck, Björn Eggling, Maillena Mallach, Staatliche Kunstsammlungen Dresden, 2020
Passagen XXI, Erika Hoffmann-Könige und Elke Gieffler, Sammlung Hoffmann-Koenige, Berlin, 2020
Closer to Life, Lynne Cooke, Michael Newman, Paul Chan, Gabriela Jauregui, Marieluise Hessel, Tom Eccles, Amy Zion, CCS Bard Hessel Museum, Bard, New York, 2020
In bester Gesellschaft Ausgewählte Erwerbungen des Berliner Kupferstichkabinett 2009-2019, Kupferstichkabinett, Gemäldegalerie, Berlin Dr. Dagmar Korbacher, Gemäldegalerie, Staatliche Museen, Graphische Gesellschaft Zu Berlin, Berlin, 2019
A Passion For Drawing, Klaus Albrecht Schröder and Elsy Lahner, Albertina Museum, Hirmer Verlag, Vienna, 2019
"Zarte Knaben, Stolze Krieger, Kunst ohne Grenzen: Das Berliner Kupferstichkabinett präsentiert ausgewählte Neuerwerbungen aus dem letzten Jahrzehnt" Das Tagesspiegel by Elke Linda Buchholz, November 6, 2019
"Schiele Reloaded," Der Standard, Öesterreichs Unabhängige Tageszeitung, Page 3, 26, October 16, 2018
"Schiele Reloaded," by Thomas Michell, Hyperallergic, February 2, 2018
"Der Antist," Zeitschrift Der Wien, Heft Nr. 3, Frühling, 2017
DIE GEZEICHNETEN, Bayerische Staatsoper, Frühling, 2017
"Seele Suchen," Der Tagesspiegel, Kunst und Markt, Thomas W. Kuhn, Page 4, January 4, 2017
"Chloe Piene, Picture of the Week: Familienaufstellung," Berliner Zeitung, Ingeborg Ruthe, Page 24, January 20, 2017
"Chloe Piene at Galerie Barbara Thumm," BerlinArtLink by Candice Nembhard, Photos by Sandra Camey, January 31, 2017
Pandora´s Box, Portrait´s Of Artists, Publication and Project, 2017
"Chloe Piene: FAMILIENAUFSTELLUNG," BOMB MAGAZINE, Winter Issue, 2017
Chloe Piene in Conversation with Klaus Ottmann, Live, Director, The Phillips Collection, Washington DC, 2017
Nut: Egyptian Goddes s of the Sky to Support the Global Fund for Women, Edited by Alli Melanson and Liza Lacroix, 2017
Social Photography V, Cellphonephotos, Carriage Trade, July, 2017
Mugshots, Zine, “Chloe Piene,“ New York, Berlin, Spring 2017
Mirror / Mirror, “Chloe Piene, Saith do Mac / Wealth for a Boy,“ with Clive Barker, Dame Darcy and Others, Edited by Sean T. Collins and Julia Gförer, 2dcloud Publishing, Minneapolis, January, 2017
"DIOTIMAAAA, From The Cath Maige Tuired" The Battle of Moytura“,“ Arranged by Chloe Piene, Old Irish, Snow, Literary Review, Issue Number 5, Ed. Anthony Barnett, London, Fall, 2017
"Chloe Piene: 400 Faces," Spike Magazine, Issue 343, March 1, 2017
Moore College of Art, Interview and Talk with Katye Johnson Curator, 2016
“Ich Gezeichnete Ich,“ Bruseum, Roman Grabner, Curator: Graz, Austria, Video, 2016
"Drawing Now The Albertina Defines the Current Status Quo of Drawing," Art Mag by Deutsche Bank, 2015
"Drawing Now at Albertina Vienna," Coax Magazine, 2015
"Drawing Now," Kultur Online, October 4, 2015
"Universalmuseum Joanneum zeigt 'Das Gezeichnete Ich'," Kleine Zeitung, July 2, 2015
"The Marked Self," E-Flux, July 2, 2015
“Chloe Piene at Susanne Vielmetter Projects,“ The Los Angeles Times, Christopher Knight, June 20, 2015
Drawing Now, with texts by Warren Nieszcuchowski and Elsy Lahner, The Albertina Museum, Vienna, 2015
DRAWING NOW YOU TUBE VID ALBERTINA MUSEUM CHANNEL, October 30, 2015
Drawing People, by Roger Malbert, Thames & Hudson, London, 2015
"Das gezeichnete Ich im Bruseum," Steiermark, March 7, 2015
DAS GEZEICHNETE ICH, YOU TUBE, March, 2015
Drawing The Bottom Line, by Martin Germann and Philippe Van Cauteren, SMAK, Ghent, Yale University Press, 2015
"Drawing | The Bottom Line,” E-Flux, October 3, 2015
Queensize, Selections from the Olbricht Collection, ME Museum, Berlin, 2015
Contemporary Drawing,Tate Britain, by Katherine Stout, 2014
Collectors Room “Me Museum,“ Berlin, 2014-2015
“Astralis,“ Review by Annie Hazzo, Daily Metal, 2014
"Espace de l´Amour," B, April 9, 2014
“Les profondeurs de l´Astral par l´Espace Culturel Louis Vuitton & Astralis“ by Marina Caderby, Luxury Touch, February 3, 2014
“An abyss just off the Champs-Élysées“ by Thomas Davis, Hero Magazine, March 3, 2014
"Astralis, voyage sidérant a l'Espace Culturel Louis Vuitton," Vogue Paris, 2014
"Interview of Chloe Piene by Mikko Kallio," 1/2, Puoli-Lehti, 2014
"Vernissage Agnes Varda a la Galerie Nathalie Obadia," Le Quotidien de l'Art, Page 9, Photography: Luc Castel, 2014
Unsparing Quality, Diane Rosenstein, 2014
“Someone Else,“ Leonhard Emmerling, Dunedin Art Gallery, New Zealand, 2013
“Chloe Piene,“ Beware Magazine, Paris, 2013
Astralis, Espace Culturel Louis Vuitton, 2013
"Hair and Skin" Review by Clara Bauman, Corner Magazine, 2013
"Skin Games" Review by R.C. Baker, The Village Voice, 2013
"Hair and Skin" Review by Will Heinrich, The New York Observer, 2013
Film, Art, New Media: Museum Without Walls? Angela Dalle Vacche, Palgrave Macmillan, UK, 2012
"Chaman power au Quai-Branly, La Libération, L´exposition 'Les Maîtres du désordre' fait dialoguer sorcellerie et art contemporain" by Frederique Roussel, July 4, 2012
"Les Maîtres du désordre, une exposition envoûtante au musée du Quai Branly (Paris)" by Pauline Lisowski, Le Corridor de l'Art, July 2, 2012
"Transe vaudoue ou plutôt exorcisme suisse?, Au Musée du quai Branly, 'Les maîtres du désordre' plongent dans les myst�res des arts magiques" by Philippe Dagen, Le Monde, April 13, 2012
"La Maîtrise du Désordre," France Inter, March 19, 2012
“Figured | Spaces,“ Selections from the John Morrisey Collection, Schmidt Center Gallery, by Karen J. Leader, FAU, 2012
Neuzugänge (New Acquisitions) 2001-2012 By Frank Schmidt, Kunsthalle Emden, 2012
"The Iron Woman,” Berlin Art Journal, January 12, 2012
"THE AESTHETICS OF HATE” by Sandrine Sanos, Stamford University Press, 2012
"Chloe Piene,” Kunstbeeld, NR 4, 2012
Anthology, edited by Dane Patterson, 2012
"Wenn Architekten auf die schiefe Bahn geraten” by Tim Ackermanns, Berliner Morgenpost, Februar, 2012
"Eiserne Hände” by Christiane Meixner, Der Tagesspiegel (Kunst & Markt), Februar, 2012
"Hammer Frau!” Artinvestor, Februar, 2012
"Artist Feature #13: Chloe Piene,” The Witness, January, 2012
The Art of Cruely: A Reckoning by Maggie Nelson, W. W. Norton & Company, 2012
Reconciling Art and Mothering, Dr. Rachel Epp Buller, Routledge Publishing, 2012
"Intersecare” by Spencer Topel; Decomposition of Bach's Cello Suites with Sleeper 06, Cornell University, March, 2012
"Eiserne Lady in Zauberkasten” by Irmgard Berner, Berliner Zeitung, January 17. 2012
Süddeutsche Zeitung, Exhibition review by Kito Nedo, January 14 - 15, 2012
"Chloe Piene: Eiserne Frau,” Zitty 05, February, 2012
"Facettes de Soi et de L'Autre” by Jean Marc Bodson, Arts Libre, November 18, 2011
"Chloe Piene” by Christine Vuegen, H Art, March 3, 2011
"A Chacun Son Etage” by Claude Lorent, Arts Libre, March 3, 2011
“Theatre Macabre,” L'Express, January 28, 2012
Compass In Hand, Drawings of the Museum of Modern Art, New York Edited by Christian Rattemeyer, Martin Gropius Bau Berlin, 2011
“Ferocitas Lions,“ The Edge, 2011
“Absinthe,“ Cover and Insert, 2011
"Conversation Chloe Piene and Roland Flexner," Damelio Terras Gallery, January, 2011
Border Crossings, Foldout, Volume 29, Number 3, Issue No. 115, 2010
Location, Location Artists Books & Editions, Minneapolis, 2010
"Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collections," Art in America, Review by Steve Pulimood, May 26th, 2009
Diaries of a Young Artist, Edited by Peter Nesbett, DAP, New York, 2009
Gothic: The Evolution of a Dark Aesthetic, by Catherine Spooner, Kim Newman, Gilda Williams and Mick Mercer, Carlton Books, London, 2009
"Compass in Hand: MoMA Pushes the Envelope in Works on Paper," Review by Roberta Smith, The New York Times, April 23, 2009
TRANSATLANTICO, with Ann Sofi-Siden, Berlin, April, 2008
"Chloe Piene’s New Skulptures," Review by Tim Maul, Afterart, July 11, 2008
“Chloe Piene” by Anne Doran, Time Out New York, Review, June 4, 2008
“Chloe la barbare et Jeppe le trublion . . .” by Valérie Duponchelle, Le Figaro, p. 24, December 28, 2007
“Chloe Piene, cris et ricanements” by Philippe Dagen, Le Monde, p. 25, November 15, 2007
“L’art entre pulsion de vie et de mort” by M & J Latorre, La Marseillaise, Novermber 10, 2007
Chloe Piene, Essay “At hand” by Barry Schwabsky, Carré d’Art – Musée d’Art Contemporain de Nîmes, 2007
“Berlin devient la capitale sereine des artistes” by Valérie Duponchelle, Le Figaro, October 4, 2007
Hellbound, Edited by Francesca Gavin, Laurence King Publishing, London, 2007
Frozen Tears III, Edited by John Russell, Central Books, London, 2007
“Chloe Piene” by Oliver Koerner, Monopol Magazine, October, 2007
“Chloe Piene” by Marcus Woeller, Style Magazine Berlin, Style Magazine Berlin, p. 125, March, 2007
Spike Art Quarterly, Review, “Chloe Piene at the Witte de With” by Ines Gebetsroither, pp. 90 - 91, May 2007
Ice Cream: Contemporary Art and Culture, Phaidon Press, London, 2007
Les Cahiers du Musée national d’art moderne, Centre Georges Pompidou, Paris, Summer 2007
Harvard Review #32, Cambridge, 2007
“Double Exposure” by Carmen Winant, Philadelphia Weekly, January 31, 2007
“The American Nightmare” by Smadar Sheffi, Haaretz, January 24, 2007
“Desire Strong as Death” by Uzi Zur, Haaretz, January 23, 2007
“Thuggery” by Lea Abir, Time Out Tel Aviv, January 12, 2007
"Provocative Realism" by Donald Kuspit, ARTnet Magazine, December 18, 2006
"Making Skin Crawl" by Hilarie M. Sheets, ARTnews, pp. 102, 104, September 2006
"Chloe Piene: Bite the Bullet" by Melissa Gronlund, i-D Magazine, p. 36, June / July 2006
"The Big Draw" by Hilarie M. Sheets, ARTnews, pp. 98-103, January 2006
Phonecall, by Chloe Piene, One Star Press, Paris, January 2006
Vitamin D, Essay on Chloe Piene by Barry Schwabsky, Phaidon Publishing, London, 2005
Egon Schiele, Statement by Chloe Piene, Neue Galerie, New York, November 2005
Masculinities, Neuer Berliner Kunstverein, Berlin, November 2005
"Chloe Piene" by Joshua Mack, Modern Painters, November, 2005
"Toulouse s'abandonne aux 'Vertiges'" by Magali Jauffret, L'Humanité, September 27, 2005
"Toulouse Art-Corps" by Brigitte Ollier, La Liberation, September 27, 2005
"Chloe Piene, La Centaure" by Valerie Duponchelle, Le Figaro, p. 12, September 9, 2005
"Chloe Piene" by Adrienne Farb, Telerama, pp. 90-91, September, 2005
Printemps de Septembre a Toulouse Volume 2: "Vertiges" Les presses du reel, September 2005
"Artists 'Getting Emotional' in a New Exhibition", Artdaily.com, August 30, 2005
"Bellenblaas uw tekening gerust" by Marianne Vermeijden, NRC, August 2005
"Que d` emotions!" by John Peter Brakewood, Art Actuel, July / August 2005
"Chloe Piene Cut Through" by Mariuccia Casadio, Vogue Italia, pp. 359 - 364, July 2005
"Sweet Emotion", The Boston Globe, July 12, 2005
"It's totally gay, sort of" by Dan Delgado, IN Newsweekly, p. 14, July 27, 2005
"Defining Eroticism in a Techno-porn Consumer Culture" by L.P. Streitfeld, Sunday Advocate, July 10, 2005
"Contemporary Erotic Drawing at The Aldrich," Artdaily.com, June 8, 2005
"Chloe Piene" by Jean-Pierre Criqui, Artpresse, Review, June 2005
"On Now, On Soon," Flash Art, News, p. 83, May / June 2005
"Getting in touch with their feelings" by Christine Temin, The Boston Globe, May 22, 2005
"Erotic Goes Mainstream" by Benjamin Genocchio, The New York Times, May 8, 2005
Getting Emotional, The Institute of Contemporary Art, Boston, May 2005
Contemporary Erotic Drawing, The Aldrich Contemporary Museum, May 2005
"Spotlight: Getting Emotional," Boston / NE Gallery Guide, May 2005
"Sweet Emotion" by Steve Jermanok, Boston Magazine, p. 245, May 2005
"Les Corps Déchirés de Chloe Piene" by Philippe Dagen, Le Monde, April 30, 2005
"Tear Jerker," Museums Boston, p. 24, Spring / Summer 2005
Collection and New Acquisitions, Walker Museum of Contemporary Art, 2005
"Personal Experience Filters 'Boys'" by Voelz Chandler, Rocky Mountain News, February 18, 2005
"Hot Ass Art" by Steven Devadanam, Houston Press, January 27, 2005
Art Lies, Volume 46, Spring 2005
"Chloe Piene, Petit Mort" by Simon Watson, Issue Magazine, Issue 8, Fall 2004
"Show and Tell," New York Magazine, p. 136, November 29, 2004
"Noctambule" by Craig Garrett, Flash Art, p. 60, October 2004
"In the Male" by Keith Plocek, Houston Press, August 5, 2004
"Visual Arts Review: Thriller" by Natasha Mekhail, See Magazine, July 8, 2004
Perspectives 142: Boys Behaving Badly, Contemporary Arts Museum Houston, pp. 12 - 13, June 2004
"New York 03-13-04" by Dan Cameron and Arthur C. Danto, Tema Celeste, pp. 48-57, May / June 2004
The Whitney Biennial: Fair and Balanced, John Haber in New York City
"Whitney Biennial 2004: A Good Looking Corpse" by Melissa Dunn, Flash Art, pp. 63, 80, May / June 2004
"Art's Really Big Show," Saint Louis Times, by David Bonetti, May 2, 2004
"Six Columbia Alumni Selected for Whitney Biennial," Columbia News, by Kristin Sterling, April 2, 2004
"Alla Biennale del Whitney: Torna la Pittura" by Renato Diez, Arte, pp.104 - 111, April 2004
Cover Art and "2004 Whitney Biennial" by Megan Heuer, The Brooklyn Rail, p. 17, April 2004
"Die neue Bescheidenheit" by Andrea Köhler, Neue Zürcher Zeitung, March 25, 2004
"Modern Arts Note's Five Fave Young Biennialists" by Tyler Green, ArtsJournal.com, March 24, 2004
"What's New: The Whitney Biennial" by Peter Schjeldahl, The New Yorker, pp. 100-101, March 22, 2004
"Art in a Tremulous Time" by Sarah Milroy, The Globe and Mail, March 17, 2004
"Art: A View From The Front Line" by Edward J. Sozanski, Philadelphia Inquirer, March 14, 2004
"The Whitney Museum's escapist, moderate 2004 Biennial" by Mia Fineman, slate.msn.com, March 12, 2004
"Touching All Bases at the Biennial," by Michael Kimmelman, The New York Times, Arts p. 1, 38, March 12, 2004
"Snapshots - and Painting! - From the Cutting Edge" by Daniel Kunitz, The New York Sun, March 11, 2004
"Art That Speaks To You. Literally." by Roberta Smith, The New York Times, Arts p. 30, March 7, 2004
"Kunsthalle Bern: Chloe Piene" by kng, Basler Zeitung, February 28, 2004
"Chloe Piene in der Kunsthalle Bern" by Alice Henkes, Kunst-Bulletin, February 20, 2004
"Ces pulsions obscures..." by Philippe Mathonnet, Le Temps, February 17, 2004
"Chloe Piene," Bernerbar, February 12, 2004
"Chloe Piene Filme La Nuit en Plein Jour" by Philippe Dagen, Le Monde, p. 30, February 11, 2004
"Der verführerische Geschmack des Todes" by Annelise Zwez, Bieler Tagblatt, February 11, 2004
"Ausstellung: Kunsthalle Bern, Chloe Piene," Praxis, February 11, 2004
"Im Ausnahmezustand" by Barbara Miesch, Aargauer Zeitung, January 31, 2004
"Ein allzeit verfügbares Studienobjekt" by sfd, Linth Zeitung, January 31, 2004
"Radikale Körperstudien" by Marianne Mühlemann, Der Bund, Kultur p. 13, January 30, 2004
"Schwere Lebenstänze in Schwarz" by Konrad Tobler, Berner Zeitung, p. B7, January 30, 2004
Chloe Piene, Essays by Bernhard Fibicher and Lee Triming, Kunsthalle Bern, January 2004
"Chloe Piene, Kunsthalle Bern" by Frances Richards, Artforum, Preview, p. 80, January 2004
Museums Magazines, New York Edition, Cover Art, 2004
Museums New York, Art Beat, p. 17, Winter 2004
"Activist Trustee: The Judith Rothschild Foundation" p. 4, Winter 2004
"Schwere Lebenstänze in Schwarz" by Konrad Tobler, Berner Zeitung, Museums New York, Museums Collect, p. B7, January 30, 2004
"Art Unlimited," Art Basel, UBS, By Samuel Keller, 2003
Love-Hate, Ursula-Blickle Stiftung, Germany, Fall 2003
"Chloe Piene" by Edith Krebs, Die Wochenzeitung, Review, August 28, 2003
"Chloe Piene" by Nancy Princenthal, Art in America, Review, pp. 91-92, July 2003
"Chloe Piene" by Charles-Arthur Boyer, Art Press, News, pp. 68-69, June 2003
"Chloe Piene, Gasser & Grunert" by Maika Pollack, Flash Art, Review, p. 90, May / June 2003
"Chloe Piene, Klemens Gasser & Tanja Grunert" by Frances Richards, Artforum, Review, pp. 168-169, May 2003
"Chloe Piene at Gasser & Grunert," New Yorker Magazine, Chelsea Art Galleries, March 14, 2003
"Losing It" by Mark Ewart, Irish Times, Reviews, March 2003
"Losing It," Art in Ireland, March 2003
"Losing it Lets it All Hang Out," The Examiner, March 2003
"Chloe Piene at Gasser & Grunert" by Paul Laster, Flavorpill.net, New York Art, February 2003
"Video Stars," Women's Wear Daily, p. 4, January 7, 2003
Interview with Lisa Prior, MAKE Magazine, pp. 36-37, Special Edition #92, 2002
"Self Portrait with Dog," Cabinet Magazine, image insert, December 2002
"The Liverpool Biennial" by Lee Triming, Flash Art, pp. 41, 50, November / December 2002
Video Topiques, Les Musées de Strasbourg, October, 2002
Liverpool Biennial Liverpool International, Tate Museum Liverpool, September 2002
"Inside the Whale" by Ken Johnson, New York Times, February 8, 2002
"Smock Off the Wall," image, Smock, pp. 122-123, Spring / Summer 2001
"Kalevala on Voimakas ja Brutaali" by Leena Honkavaara, Helsinki Sanomat, May 5, 2001
"Pienestä nakee" by Pessi Rautio, Helsinki Sanomat, April 5, 2001
"Insider Trading," Flash Art, News, March / April 2001
"A Poignant Intersection of Fantasy and Reality" by David Pagel, Los Angeles Times, May 29, 2001
"Vorsicht! Weibliches Terrain" by Anne Erfle, München Kultur, February 20, 2001
"Video," Münchner Merkur No. 21, January 26, 2001
Hers, Steirischer Herbst, January 2001
"3D-Archnemesis" curated by Sebastiaan Bremer, Zing Magazine, Issue 11, Winter 2000
"Chloe Piene at Marianne Boesky" by David Hunt, Frieze, Review, pp. 108-109, June / July Issue 53, 2000
"Focus på psyket" by Maria Hirvi, Hufvudstadsbladet, June 1, 2000
"Valtapeliä video-installaatioissa" by Marja-Terttu Kivirinta, Helsinki Sanomat, May 27, 2000
"Crashkurs für Selbstdarsteller," Vorarlberger Nachrichten, May 3, 2000
"Sich Selbst Inszenieren" by Inge El-Himoud-Sperlich, Neue Voralberger Tageszeitung, April 29, 2000
"Ausstellung Chloe Piene im magazin4 in Bregenz," Vorarlberger Nachrichten, April 27, 2000
"Itsekkäitä äyriäisiä ja vankilakirjeenvaihtoa" by Laura Honkasalo, Kuva, pp. 6-7, April 3
"Chloe Piene at Marianne Boesky" by Lisa Prior, Flash Art, Review, p. 114, March / April 2000
"Chloe Piene at Marianne Boesky," New Yorker Magazine, Soho Art Galleries, January 6, 2000